Paul SIGNAC (1863-1935) - Lot 88

Lot 88
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Estimation :
15000 - 20000 EUR
Result with fees
Result : 35 100EUR
Paul SIGNAC (1863-1935) - Lot 88
Paul SIGNAC (1863-1935) Venice. La Dogana seen from the Zattere, 1908 Black stone, watercolor and white highlights on paper Signed lower left, located and dated lower right. Sent "for the good friend Person / 19.4.09" and monogrammed lower right on the artist's bowl mount. 27.7 x 43.7 cm A certificate from Marina FERRETTI will be given to the buyer. NOTE: - Paul Signac made his first trip in 1890 with his mother, followed by several others to Venice, which was a remarkable motif for him, with the city's reflections blending with the sky and sea like a mirage of the Orient. This experience enabled him to deepen his color research, and his touch became more fluid, a reminder of the sumptuous mosaics of the San Marco basilica. In the spring of 1904, he returned to the city with his wife and tirelessly explored the city and its lagoon. [...] The works were actually presented at the Galerie Druet in December of the same year". (Isabelle JULIA, in Voyager et dessiner : Dessins du musée du Louvre et du musée d'Orsay, 1580-1900, cat. exp. by C. Loisel, L. Angelucci, F. Joulie, I. Julia, N. Lemoine-Bouchard, Ch. Leribault, Moscow, Galerie Tretiakov, September 21-November 14 2010, no. 56, catalog published in Russian). - Paul SIGNAC and painter Henri PERSON (1876-1926) shared a passion for painting and sailing. They also shared a deep love of Saint-Tropez. Together, they sailed from port to port, often painting side by side, and comparing their works afterwards. In 1907, the two artists visited Constantinople together and acquired a joint boat, Le Sinbad. Their friendship continued through a long correspondence, in which they warmly exchanged views on painting, sailing and their mutual friends. These letters bear witness to a deep, intimate relationship between the two men. - This drawing was made in April 1908, during a stay in Venice following a trip to Italy, where he visited Liguria, Tuscany, Rome, Perugia and Verona. During this stay in Venice, Signac produced a number of watercolors that resulted in eleven views of Venice painted that same year, 1908 (cf. F. Cachin, Paul Signac, Paris, 2000, nos. 465-475). In almost all these compositions, Signac depicted sailboats in the foreground, as in this drawing. The very sober white mount on which this drawing is pasted, with a bowl 2 cm from the drawing, is the one chosen and commissioned by Signac for what he considered his best drawings."
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