MAN RAY (1890-1976)

Lot 75
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Estimation :
6000 - 8000 EUR
Result with fees
Result : 9 100EUR
MAN RAY (1890-1976)
La Jurassienne, 1966 - 1972 Cardboard, wooden violin bridge with white painted wooden square, glued to a slate. Edition in 1972 after the original 1966 object from Il Fauno Gallery, Turin, printed at 9 copies plus artist's proofs Annotated "E.A." and monogrammed under the slate Copper plate on the back with Man Ray's signature, title and date. 38 x 28 cm La Jurassienne, 1966 - 1972 Cardboard, wooden violin easel with white painted wood square, glued on a slate. Edition in 1972 after the original object of 1966 by Il Fauno gallery, Turin, printed in 9 copies plus artist's proofs Annotated "E.A." and monogrammed under the slate Copper plate with Man Ray's signature on the back, title and date 14.97 x 11.03 inch Note: Man Ray repeatedly used parts of musical instruments and in particular the violin and cello to compose objects, photographs or rayographs. Man Ray repeatedly used parts of musical instruments, particularly the violin and cello, to compose objects, photographs or rayographs. Provenance: Collection Edmonde et Lucien Treillard, Paris Bibliography: - J.-H. Martin, R. Krauss and B. Hermann, Man Ray, catalog raisonné, Sculptures et objets, Objets de mon affection, Paris, Philippe Sers, 1983, n°160, p.156, ill. p.127 - G. Perlein and D. Palazzoli, Man Ray, Musée d'art moderne et contemporain, Nice, 1997, p.292 - Man Ray em Paris, Centro Cultural Banco do Brasil, São Paulo, Belo Horizonte, 2019-2020, p.229 (this copy) Andrew Strauss and Timothy Baum of the Man Ray Expertise Committee have confirmed the authenticity of this work and that the edition of this work will be included in the Catalogue of Man Ray's Objects and Sculptures, which is currently in preparation. Andrew Strauss and Timothy Baum of the Man Ray Expertise Committee have confirmed the authenticity of this work and that the edition of this work will be included in the Catalogue of Objects & Sculpture of Man Ray, currently in preparation.
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