Emile BERNARD (1868-1941) - Lot 147

Lot n° 147
Go to lot
Estimation :
3000 - 4000 EUR
Result : NC
Emile BERNARD (1868-1941) - Lot 147
Emile BERNARD (1868-1941) Les gauleuses de pommes, 1888 Black chalk and gray ink wash on paper Signed, dated and located lower center: Pont-Aven 88 30.5 x 40.5 cm Provenance : - Acquired from her by the current owner; - Former collection of Madame Clément ALTARRIBA ; - Artist's studio, Paris Exhibitions : - Post-Impressionism, Escuela de Pont-Aven, Museo de Bella Artes de Valencia, Spain, November 2003 to February 2004, reproduced in the exhibition catalogue exhibition catalog p. 72, no. 15; - Emile Bernard, Musée Balore, Nîmes, April to June 1993, reproduced in the exhibition catalog, p. 19, no. 4; - Emile Bernard, Städtische Kunsthalle, Mannheim (Germany), and Vincent Van Gogh Museum, Amsterdam (Netherlands) May 12 - November 8 November 1990, reproduced in the exhibition catalog p.238, n°87. Note : This work is a preparatory study for Les gauleuses de pommes painted circa 1892. Emile BERNARD received a pictorial shock in the late 1880s and early 1890s, which resulted in one of his works considered a masterpiece: Les gauleuses de pommes, situated on the border between Symbolism, Nabism and Cloisonnism. In 1886, Emile BERNARD visited Pont-Aven. He was impressed by the austerity and authenticity of this region, untouched by the modernity of the big cities, especially Paris. In Pont-Aven, Emile BERNARD befriended Paul GAUGUIN, Paul SERUSIER and Maurice DENIS. Maurice DENIS, who felt the same impressions in this region. A year later, Emile BERNARD met Vincent VAN GOGH, worked with him and exchanged artistic visions in Arles. 1888 was therefore a fundamental year in Emile BERNARD's work, a veritable laboratory incubating a new aesthetic language which modern painting. A certificate of authenticity from Madame Béatrice RECCHI-ALTARRIBA, Emile BERNARD's granddaughter, will be presented to the buyer.
My orders
Sale information
Sales conditions
Return to catalogue